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Audio Mixing and Videotape Rescue

Audio Mixing and Videotape Rescue

eNews News!

It's time to put the final touches on those New Years projects! That means that we're going to need to mix some audio, and adjust some levels. It can affect the outcome of how our audience views our video, which is why Mixing for Mood is this week's Hot Video Tip! Plus, an exclusive story to eNews looks at the best practices for backing up projects safely.

In week's edition of Tips & Tricks, focuses on editing tools used to help make green screen effects easier and more precise in three different software programs!

Hot Video Tips: Audio Mixing for Mood

By Hal Robertson

Hot Video Tips: Audio Mixing for Mood

Imagine your favorite movie or TV show without the music. It just doesn't work, does it?

What would a Batman movie be without the dark, brooding score? Where would Napoleon Dynamite be without its quirky soundtrack? The selection, timing and mixing of music are critical to the success of your project. They set the mood for current events and can even signal events to come. So it's worth focusing some time and effort on the sound mix. It doesn't matter whether you have a big budget or no budget, you can create equally powerful mixes using common tools and software you already own...Continue

Test Bench: MAGIX Videotape Rescue Package

By Tom Skowronski

Test Bench: MAGIX Rescue Your Videotapes! Video Rescue Package

The Analog Bridge
For most of us over the age of 20, memories of VCR recording are still stuck in the back of our brains. Over the years, we've all found some embarrassing childhood memories under a couch on some dusty videotape. The birthday with that invincible piñata. The trip to the theme park when your brother fell off the ferris wheel. The soccer games where your brother would beat up the ref. We could go on, but two things are certain: the death of VHS is imminent, and some of those tapes are worth saving!...Continue

More New Product Reviews

Feature: Backing Up - Best Practices

By Morgan Paar

Feature: Backing Up - Best Practices

Your project's done. How do you archive it? Helpful notes for someone who has to open the project after you're gone.

Archiving media and other assets has always been an important issue. But, as video moves away from magnetic tape (e.g., Mini DV tapes) toward solid-state Flash memory (e.g., Panasonic's P2), optical storage (e.g., Sony's PD), hard-drive storage and other media (can we even call it video anymore, now that it is no longer tape-based?), the need to archive has become not only more important but, in many ways, more difficult.

There is little doubt, at least outside the walls of videotape manufacturing companies, that videotape is going the way of floppy disks. I'm pretty sure the generation being born today will someday ask their parents, "What is that stuff they call videotape in those old 2000 movies?" Flash memory, optical storage and hard-drive storage are quickly replacing the linear acquisition format we have been using for the last 58 years...Continue


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Movie and Video Production Planning

Movie and Video Production Planning

by Jim Stinson
VideoMaker.com

Plan the shoot, shoot the plan, edit the planned shoot.


That's the mantra we introduced in last month's piece on production planning. We rejoin the discussion now with the amazing new idea that when production starts you should shoot what you planned to shoot.

Talk about obvious!

Not so fast. If that deceptively simple rule were routinely followed, Hollywood epics would never overrun their schedules and amateur productions would never look embarrassing (assuming they didn't crash and burn before completion). So let's review reasons for staying on-plan, gremlins that attack production plans, and ways to protect yourself against disasters, both serial and parallel.

The underlying concept is that crucial decisions are made in pre-production planning that will affect everything that follows, all the way through to the end of post production. A good planner keeps that long timeline in mind, the way a good chess player thinks many moves ahead.

Stick to the Plan

Sticking to a plan no matter what seems sort of, well retentive; but there are several reasons for resisting changes or at least studying them very carefully before making them.

First, remember the law of unintended consequences. Even small productions are complicated organisms with many interdependent parts. If you decide to shoot, say, scene 22 instead of scheduled scene 14, the cast, location, and time of day might be fine -- but what about the actor's distinctive Grateful Dead shirt, which got all muddy in scene 13 but has to be clean again for scene 22? Thinking fast, you run it through a Laundromat during lunch break. Uh-huh, but when you go to scene 14 later that shirt has to be dirty again -- with exactly the same stain pattern as before it was washed.

So things start to domino. Cleverly, you have the actor play scene 14 without the shirt, adding a line like, "Boy, I hope I can get that shirt clean; it's an heirloom." Right away, you've handed the editor two problems. Since the action is continuous across scenes 13 and 14, the character has no off-screen time in which to take off the shirt. Major jump cut. Also, the added line tells viewers that the shirt's valuable, which is totally irrelevant to the story and distracting from the point of the scene.

You're already thinking of fifty things at once, under time and money pressure to move, move, move! If you must make alterations, take the time you need to think them through. The second moral is that post production is very demanding. Once you wrap production, it's expensive and often impossible to re-open the shoot for vital pieces that are missing or mis-matched to other pieces.

Entire Article Here

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VideoMaker
VideoMaker

What's Face Detection?

What's Face Detection?

eNews News!

Many of the newer video cameras are following the still-camera features by offering face recognition technology. But how exactly does this technology work? This issue's Basic Training has a primer on this new technology along with some food for thought on those times when it might hinder your work and how you can work around it.

Plus... You're hearing about it all over the news... the end of Analog Broadcast is coming, is it really as frightening as the Y2K scare? Our "Digits Over the Air" feature explains what the change means to TV viewers and, more importantly, how it can affect video producers.

Hot Video Tip: About Face!

By Kyle Cassidy

Hot video tip. About face.

Many video cameras now seem to include face detection capabilities. But what exactly is face detection? Our primer explains how it works and how it might stump you, too.

The story of face recognition technology begins back in 2005, when Nikon released the Coolpix 5900, a mid-range point-and-shoot still camera with what it called a Face Priority mode. The camera would use built-in algorithms to examine a scene and identify human faces. It would then adjust contrast, color balance and exposure to "properly" expose the faces...Continue

Test Bench: Canon VIXIA HG21 HD Camcorder

By Tom Skowronski

New Camcorder Review Canon VIXIA HG2

Load Up Your Canon!
Canon's new VIXIA HG21 is a high-definition hard-disk-drive powerhouse, with 120GB of hard-drive space and a ton of exclusive Canon-only features. Prosumers rejoice: the HG21 is the perfect fit for family events, weddings and entry-level professional videography. At $1,300, the HG21 is a welcome addition to the HDD library...Continue

More New Product Reviews

Feature: Digits Over the Air

By Charles Fulton

Prepare For Digital Broadcasting

The transition to digital over-the-air TV is nearly complete. So what does that mean for videographers?

While most of our discussions of television are generally about either criticizing the medium as a whole or trying to get distribution for our own productions, the technical aspects of television distribution generally never enter into the equation. However, we are at an interesting technical crossroads as the digital television transition nears its conclusion (and as some stations have been on the air in digital longer than 10 years at this point). As such, the fork in the road for this discussion goes in two different directions: what it means for the TV viewer and what this means for videographers.

To the TV Viewer
While we've been noticing that the average digital TV channel has at least one subchannel (e.g., an auxiliary service provided in addition to the main channel), the irony is that, after the transition is complete, there will actually be less spectrum available for television channels. The 1948 bandplan for TV eliminated channel 1 and reserved channel 37 for radio astronomy, leaving a total of 81 channels available. The first channels hacked off were 70-83, which went away in the 1980s to make way for cellular phones, leaving 67 channels available. Now, elimination of channels 52-69 for public safety radio leaves a scant 49 channels available. And, to compound the bandwidth impact, a group of consulting engineers calling themselves the Broadcast Maximization Committee proposes reallocating all AM stations to channels 5 and 6.

This is not to say that there will be no analog signals at all after February 17, 2009. Class A, low-power and translator stations may remain analog after that magical date. It's only full-power stations that must be digital after that date. However, some Class A, low-power and translator stations have applied with the Federal Communications Commission (FCC) to "flash-cut," to go from transmitting their current analog signals to transmitting digital signals instead...Continue



Entire Newsletter Here


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:: Download Squad
Download Squad
Updated: 07 Nov 14:21
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VideoMaker.com
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